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・ Jérémy Roy (ice hockey)
・ Jérémy Sapina
・ Jérémy Serwy
・ Jérémy Sinzelle
・ Jérémy Sopalski
・ Jérémy Sorbon
・ Jérémy Spender
・ Jérémy Stinat
・ Jérémy Stravius
・ Jérémy Taravel
・ Jérémy Toulalan
・ Jérôme Alonzo
・ Jérôme Anthony
・ Jérôme Badini
・ Jérôme Baugnies
Jérôme Bel
・ Jérôme Ben Aoues
・ Jérôme Besoigne
・ Jérôme Bicamumpaka
・ Jérôme Bigard
・ Jérôme Bignon
・ Jérôme Bignon (politician)
・ Jérôme Blanchard
・ Jérôme Boateng
・ Jérôme Bocuse
・ Jérôme Bonaparte
・ Jérôme Bonaparte (disambiguation)
・ Jérôme Bonnissel
・ Jérôme Bortoluzzi
・ Jérôme Bottelin


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Jérôme Bel : ウィキペディア英語版
Jérôme Bel

Jérôme Bel (born 1964) is a French dancer and choreographer, whose characteristic choreographic style is known as non-dance, typified by his 2001 piece ''The Show Must Go On''.
==Biography==
Bel discovered contemporary dance at the 1983 Festival d'Avignon, where he saw two important pieces, ''Nelken'' by Pina Bausch and ''Rosas danst Rosas'' by Anne Teresa De Keersmaeker, which inspired him to study dance.〔Ariane Bavelier, (Jérôme Bel : «Il y a une hystérisation du spectateur en Avignon» ), ''Le Figaro'', 19 July 2013.〕 He studied 1984-1985 at the Centre chorégraphique national in Angers. From 1985 to 1991, he danced for a variety of choreographers in France and Italy, including Angelin Preljocaj, Régis Obadia, Daniel Larrieu, and Caterina Sagna. In 1992, he became the assistant to Philippe Decouflé for the ceremonies of the 1992 Winter Olympics in Albertville.〔Brigitte Salino, (Au théâtre avec Jérôme Bel ), ''Le Monde'', 4 July 2010〕
He worked twelve years with Frédéric Seguette. He began choreographing in a style along the lines of non-dance, and became one of the leading figures of that movement, creating provocative and entertaining pieces influenced by performance art and challenging some of the conventions of performance.〔
In 2004, the Paris Opera commissioned from Bel a theatrical documentary about Véronique Doisneau, a dancer in their corps de ballet. In 2005, a residency in Thailand resulted in the piece ''Pichet Klunchun & Myself'', a choreographic dialogue between Bel and traditional Thai dancer Pichet Klunchun. in 2010, he collaborated with Anne Teresa De Keersmaeker to create ''3Abschied''.〔Marietta Piekenbrock, ''Die Geige sackt zu Boden''. „3Abschied“ – Anne Teresa De Keersmaeker tanzt Jérôme Bel und das Sterben." In: Frankfurter Rundschau, 24. February 2010.〕
Films of his shows have been presented at biennials of contemporary art in Lyon, Porto Alegre, Tirana and at the Centre Georges-Pompidou in Paris and in Metz, at the Hayward Gallery and the Tate Modern in London, and at the Museum of Modern Art in New York).

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